How Film Distribution Works
Start learning how film distribution works and discover the key strategies to successfully get your film in front of your audience!
João Homem
Last updated: 11/5/2024
How Film Distribution Works: Journey From Reel To Screen
Every year, thousands of films are produced worldwide, yet only a fraction ever make it to your local theater, streaming service, or DVD shelf. Have you ever wondered how that happens? Distribution is the make-or-break step in a film’s life cycle, and understanding how film distribution works can unlock a world of opportunities for filmmakers and industry professionals. So the question would be― how film distribution works?
This blog will break down the key steps, strategies, and players in the distribution game. Whether you're a filmmaker trying to get your project in front of a global audience or simply curious about how your favorite films make it to the big screen, you'll find actionable insights here. We’ll explore the different types of distribution, what deals look like behind the scenes, and practical tips to make sure that your film reaches its intended audience.
What is Film Distribution?
Film distribution refers to the process of making a movie available for viewing by audiences. It's the key intermediary step between completing the film and getting it in front of the people who will watch it, whether that’s in cinemas, on television, on streaming platforms, or in physical formats like Blu-ray or DVDs.
The core role of distribution is to bridge the gap between filmmakers and the audience. However, the process isn’t as straightforward as it might sound. Distributors act as middlemen, negotiating deals with exhibitors― known as the theaters, streaming platforms, or even broadcasters, securing marketing budgets, and strategizing release windows. Every film has a unique path to the market, influenced by the size of the film’s budget, its target audience, and its potential reach.
2. Types of Film Distribution
There are several different ways a film can be distributed, depending on the nature of the project, its budget, and its target audience. The most common forms of distribution include:
Theatrical Distribution
This is the traditional route where a film is distributed to cinemas for screening. Theatrical distribution often requires significant investment in marketing and promotions to generate audience interest.
Typically, distributors will negotiate with theater chains for screen time and then split the box office revenue, with a large portion going to the exhibitor and the rest to the distributor and producer.
Digital Distribution
As streaming platforms like Netflix, Amazon Prime, and Hulu have become dominant, digital distribution has skyrocketed in importance. Video-on-demand (VOD) services provide several options: subscription-based models (SVOD), transactional models (TVOD), and ad-supported models (AVOD). Each comes with its own set of strategies and pricing structures.
Physical Distribution
While physical media might seem like a thing of the past, it remains a viable channel, particularly in certain regions and for niche audiences who prefer owning copies of their favorite films. DVDs and Blu-rays also serve as valuable sources of revenue for collectors and international markets with limited access to streaming.
Television Broadcast
Films are also distributed through television networks, including cable, satellite, and free-to-air broadcasters. These distribution deals are typically negotiated long after the film’s theatrical or streaming release, making sure another revenue stream through licensing agreements.
Festival Circuit
Film festivals serve as the launching pad for many films, helping them gain visibility, attract distribution deals, and build an audience. Festivals like Sundance, Cannes, and Toronto are vital for independent filmmakers seeking distribution because they offer exposure to buyers, critics, and audiences.
3. The Role of the Distributor
So, who actually distributes films and how film distribution works? Well, the job of a film distributor is to get your movie seen by as many people as possible while maximizing profits for both the filmmaker and themselves. Distributors typically acquire the rights to a film either by purchasing it outright, entering into a licensing agreement, or offering upfront advances to the producer.
They take charge of all marketing, PR, and sales strategies to promote the film. This includes negotiating screening slots in theaters, setting release dates, running various promotional campaigns, managing digital releases on VOD platforms and organizing press and media engagements. Distributors will typically make a return on their investment by taking a percentage of the box office revenue or the earnings from digital sales and rentals.
4. Distribution Deals
Distribution deals are essential in determining how a film will be seen and how much revenue it can generate. There are a variety of deals that filmmakers and distributors can enter into. Understanding these options is crucial to making informed decisions:
Minimum Guarantees―MGs
Minimum guarantee is an upfront payment that a distributor offers a filmmaker in exchange for the rights to distribute the film. It’s essentially a guarantee that the distributor will invest in releasing the film, regardless of its eventual performance. MGs are common in independent film deals but come with risks—if the film underperforms, the filmmaker might not see any additional revenue.
Revenue Splits
In revenue-sharing deals, profits from the film’s release are divided between the distributor and the filmmaker after the distributor has recouped their costs―including marketing, distribution, and acquisition expenses. The split can vary depending on the bargaining power of the filmmaker and the projected success of the film.
Exclusive vs. Non-Exclusive Deals
Exclusive deals grant a distributor the sole right to distribute the film in a particular region or across a specific medium (e.g., theaters or streaming platforms). Non-exclusive deals allow the filmmaker to partner with multiple distributors across different channels, which can be advantageous but harder to manage.
5. Key Stages in Film Distribution
Acquisitions and Pre-Sales
In some cases, films are sold to distributors before they’re even completed—this is particularly common in the studio system and among well-known directors and producers. These pre-sales deals help secure financing for the film’s production, with the distributor offering a minimum guarantee upfront in exchange for distribution rights once the film is finished.
Marketing and PR Campaigns
Marketing is one of the most critical components of a successful film release. Distributors design marketing campaigns to generate awareness and build excitement for the film. This can include traditional advertising such as TV spots or billboards, digital campaigns like social media, and grassroots efforts like press screenings, and even festival appearances!
Release Windows
The timing of a film’s release is another major strategic decision. Theatrical releases are typically followed by VOD or DVD releases, with television broadcasts coming later. Distributors carefully plan these release windows to maximize the film’s revenue potential. Lastly, once the film is out in the market, distributors continually track its performance across different channels. If a film is underperforming, they may adjust marketing strategies or seek out additional platforms to reach the audiences.
6. Strategies for Independent Filmmakers
For independent filmmakers, film distribution can feel like an intimidating task. Without the backing of a major studio, it’s critical to have a clear distribution strategy in place from the outset. Here are some actionable steps.
One important thing to consider is that festivals are often the gateway to securing a distribution deal. Be strategic about which festivals you submit to, focusing on those known for attracting industry buyers.
Secondly, if you don't have a film in the first step― have you thought about how to start creating a film? Especially the special light leaks, LUTs and the Colorist Starter Pack PowerGrades are good fit for your initial project. Check out our previous article and start getting insights on that. Because a bright future is waiting for us!
7. Challenges in Film Distribution
Let’s get prepared for film distribution. While distribution offers various opportunities, it comes with its own set of challenges, especially for filmmakers and smaller production houses.
One of the primary hurdles is securing distribution in competitive markets. Another challenge is the high cost of marketing and promotions. Distributors often require significant financial backing to run effective campaigns, especially for theatrical releases.
Making Your Film Distribution Strategy Work
Film distribution is where the business of filmmaking truly comes to life. Understanding how film distribution works isn't just about finding a distributor—it's about knowing the various pathways available and choosing the right one for your project. Whether you're aiming for a theatrical release, looking to land on a major streaming platform, or planning a digital strategy, the key is having a clear, actionable plan.
For filmmakers, it’s essential to consider distribution from the earliest stages of production. What we always recommend is― start by identifying your audience and targeting the right festivals, platforms, and distributors to reach them. Think strategically about release windows, marketing campaigns, and potential partnerships. Above all, remember that the film's journey doesn't end when the cameras stop rolling; in many ways, it's just beginning.